LUFT | en

Seelenluft is Beat Soler from Zurich. He has been playing music since he was seven, and has made a number of records in the past ten years. He signed with Klein Records and released his debut The Rise and Fall of Silvercity Bob in 2000. Silvercity Bob is an imaginary trumpet player and the album relies heavily on Beat Soler's collection of 1950s easy listening records. The Synchronswimmer EP was released as a soundtrack for Acapulco 11, a synchronized swimming team. He recorded his latest album Out of the Woods over a couple of months in Los Angeles during 2002....

Cara Luft is a singer-songwriter and former member of the Canadian folk trio, The Wailin' Jennys. She returned to her solo career in 2004. Luft was raised in a folk-singing family in Calgary, and began playing dulcimer and singing at the age of four. Her guitar self-studies began at age 11. She has a developed understanding of alternate tunings, numerous finger and flat-picking techniques including claw hammer banjo, and sings with an alto voice. Her writing and playing styles are influenced by Led Zeppelin and 80's pop music, as well as church and folk music. .

There are two band's by the name of Luft, one is the following, and the second one ( Croatian Indie Rock Band ) is here: http://www.last.fm/music/Luft.music 1. LARSEN UPIN : computer, farfisa, wind organ, voice, voice transformer, mellotron samples. FEDOR TERMIN : computer, rythm machine, trumpinet, surdin voice, bontempi B3 organ. Luft has really been influenced by regional mexican music, but, quite oddly, many people continue to insist in giving this band the "french touch" label, with complete disregard to its german bandname. Luft is also involved in contemporary art issues, zum beispiel in, as the french would say, "performances"....

Zurich-based experimental trio Nachtluft ("night air" in German) made an ominous improvisational racket together for a few years in the mid '80s. Comprised of Günter Müller on electronic percussion and drum machines, Jacques Widmer on acoustic percussion, and Andres Bosshard on homemade cassette machines, Nachtluft were pioneers of the postindustrial noise aesthetic, creating an extremely eerie rhythm-based ruckus that evokes warfare, construction sites, and urban night terrors. .